About
Bethany Ball was born in Detroit and lives in New York. She has been published in The Common, BOMB, The American Literary Review, the Detroit MetroTimes, Electric Literature, Zyzyvva, Sewanee Review, Pigeon Pages, Lilith, Pigeon Pages, and Literary Hub. She has work forthcoming from Northwest Review, Little Engines, and Lillith. Her novel WHAT TO DO ABOUT THE SOLOMONS was published in 2017 by Grove Atlantic. It was short listed for the 2017 Center for Fiction First Novel Prize and was a runner up in the Jewish Book Council’s debut fiction prize. Her second novel, THE PESSIMISTS was published by Grove Atlantic in 2021. She is currently at work at a new novel set in Detroit.
Featured Work
The Pessimists
From Center for Fiction First Novel Prize finalist Bethany Ball comes a biting and darkly funny new novel that follows a set of privileged, jaded Connecticut suburbanites whose cozy, seemingly picture-perfect, lives begin to unravel amid shocking turns of fate and revelations of long-held secrets.
Welcome to small-town Connecticut, a place whose inhabitants seem to have it all — the status, the homes, the money, and the ennui. There’s Tripp and Virginia, beloved hosts whom the community idolizes, whose basement hides among other things a secret stash of guns and a drastic plan to survive the end times. There’s Gunter and Rachel, recent transplants who left New York City to raise their children, only to feel both imprisoned by the banality of suburbia. And Richard and Margot, community veterans whose extramarital affairs and battles with mental health are disguised by their enviably polished veneers and perfect children. At the center of it all is the Petra School, the most coveted of all the private schools in the state, a supposed utopia of mindfulness and creativity, with a history as murky and suspect as our character’s inner worlds.
With deep wit and delicious incisiveness, in The Pessimists, Bethany Ball peels back the veneer of upper-class white suburbia to expose the destructive consequences of unchecked privilege and moral apathy in a world that is rapidly evolving without them. This is a superbly drawn portrait of a community, and its couples, torn apart by unmet desires, duplicity, hypocrisy, and dangerous levels of discontent.