About
I am the author of the novels Half-Life of a Stolen Sister (Soho Press 2023), A Highly Unlikely Scenario (Melville House 2014), and Good on Paper (Melville House 2016). More than two dozen of my stories have been published in the Paris Review, One Story, Ninth Letter, Kenyon Review, New England Review, Fence, and elsewhere. They have been anthologized five times, nominated for three Pushcart Prizes, and short-listed by Best American Short Stories, the O. Henry Awards, and Best of the Workshops. I have written about fiction for National Public Radio, the Guardian, Publishers Weekly, and other publications, and have received fellowships to MacDowell, Yaddo, Djerassi, Millay, Ucross, and numerous artists’ colonies. I live in Brooklyn, New York, where I am writing a series of middle grade and young adult books set in Manhattan’s Lower East Side.
Featured Work
Half-Life of a Stolen Sister
Half-Life of a Stolen Sister reimagines the lives of the Brontë siblings—Charlotte, Emily, Anne, and brother Branwell—from their precocious childhoods, to the writing of their great novels, to their early deaths. How did sisters Emily, Charlotte, and Anne write literary landmarks Jane Eyre, Wuthering Heights, and Agnes Grey? What in their lives and circumstances, in the choices they made, and in their close but complex relationships with one another made such greatness possible? I meld biographical fact with unruly invention to illuminate their genius, their bonds of love and duty, periods of furious creativity, and the ongoing tolls of illness, isolation, and loss.
Half–Life of a Stolen Sister itself perpetually transforms and renews its own style and methods, sometimes hewing close to the facts of the Brontë lives as we know them (or think we know them), and at others radically reimagining the siblings, moving them into new time periods and possibilities. Chapter by chapter, the novel brings together diaries, letters, home movies, television and radio interviews, deathbed monologues, and fragments from the sprawling invented worlds of siblings’ childhood; and as it does so, a kaleidoscopic portrait emerges, giving us with startling intensity and invention new ways of seeing—and reading—the sisters who would create some of the supreme works of literature of all time.