About

Brian Michael Murphy is the author of We the Dead: Preserving Data at the End of the World, published by the University of North Carolina Press in 2022. He is Dean of the College at Bennington College, Managing and Nonfiction Editor of Northwest Review, and Director of the Kenyon Review Young Writers Workshop. His essays and poems have appeared or are forthcoming in the Wall Street Journal, Lapham’s Quarterly, Kenyon Review, Media-N, Narrative, and in Italian translation in Ácoma. Recent publications include an essay on the digitization of lynching photographs in the edited volume The Expanded Field of Conservation (Clark Art Institute/Yale University Press), and a short story published as liner notes for the album Ancient Methods by Spectacular Diagnostics (Rucksack Records). He has held faculty positions in American Studies, Media Studies, and Interdisciplinary Studies, and last fall, he was a Fulbright Scholar at the University of Naples “L’Orientale” in Italy, where he taught in the graduate program in American literature. He is co-editor, with Kris Paulsen, of a themed issue of Media-N titled “Afterlives of Data.” He holds a Ph.D. in Comparative Studies from The Ohio State University, where he was a Presidential Fellow, and his work has also been supported by the National Endowment for the Humanities, the Vermont Arts Council, and the Ohio Arts Council. He lives in southern Vermont, where he serves as a founding board member of Outpost, a residency for creative writers of color from the United States and Latin America.

Other Works

  • "The Bettmann Morgue: Cold Storage, Digitization, and Archives of Racial Violence," in Conservation and the Making of Art History (Clark Studies in the Visual Arts/Yale University Press)

    2022
  • "Panic at the Library" (excerpt from We the Dead), Lapham's Quarterly

    2022
  • "Data Storage is Reaching the Limits of Physics" (excerpt from We the Dead), Wall Street Journal

    2022
  • "Now Playing," a short story published as liner notes for Spectacular Diagnostics' album Ancient Methods (Amsterdam: Rucksack Records)

    2021
  • "The Future of Boys," Fairy Tale Review

    2020
  • “Downtime” and “Dead, for the Second Time,” JuxtaProse

    2019
  • "Of Weapons," Mississippi Review

    2019
  • "The Memory of Teeth," Kenyon Review

    2018
  • "Plaster of Paris," Narrative Magazine (*Poem of the Week)

    2018
  • "Love, A Hungry Gun," Waxwing

    2017
  • "Charlottesville Fabulous," Kenyon Review Blog

    2017
  • "L'immagine digitale nel bunker," Ácoma (Italian translation of "Bomb-proofing the Digital Image")

    2016
  • "Retirement for Ghosts," Kweli Journal

    2016
  • "Bomb-proofing the Digital Image: An Archaeology of Media Preservation Infrastructure," Media-N

    2014
  • "Metal Film," Lines and Nodes: Media, Infrastructure, and Aesthetics Zine

    2014

Awards and Recognition

  • Fulbright Scholarship, University of Naples "L'Orientale," Fall 2021
  • National Endowment for the Humanities Summer Stipend, 2020
  • Finalist, Poetry Society of America Chapbook Fellowship, 2019
  • AWP Writer to Writer Program, 2019, Mentor: Dawn Raffel
  • Nominee, Best New Poets Anthology, 2019 (for "Of Weapons")
  • Vermont Arts Council Creation Grant, 2018
  • Presidential Fellowship, The Ohio State University, 2013-14