About
Brian Michael Murphy is the author of We the Dead: Preserving Data at the End of the World, published by the University of North Carolina Press in 2022. He is Dean of the College at Bennington College, Managing and Nonfiction Editor of Northwest Review, and Director of the Kenyon Review Young Writers Workshop. His essays and poems have appeared or are forthcoming in the Wall Street Journal, Lapham’s Quarterly, Kenyon Review, Media-N, Narrative, and in Italian translation in Ácoma. Recent publications include an essay on the digitization of lynching photographs in the edited volume The Expanded Field of Conservation (Clark Art Institute/Yale University Press), and a short story published as liner notes for the album Ancient Methods by Spectacular Diagnostics (Rucksack Records). He has held faculty positions in American Studies, Media Studies, and Interdisciplinary Studies, and last fall, he was a Fulbright Scholar at the University of Naples “L’Orientale” in Italy, where he taught in the graduate program in American literature. He is co-editor, with Kris Paulsen, of a themed issue of Media-N titled “Afterlives of Data.” He holds a Ph.D. in Comparative Studies from The Ohio State University, where he was a Presidential Fellow, and his work has also been supported by the National Endowment for the Humanities, the Vermont Arts Council, and the Ohio Arts Council. He lives in southern Vermont, where he serves as a founding board member of Outpost, a residency for creative writers of color from the United States and Latin America.
Featured Work
We the Dead: Preserving Data at the End of the World
Available anywhere books and e-books are sold! Read an excerpt in Lapham's Quarterly: https://www.laphamsquarterly.org/roundtable/panic-library
Book Description
Locked away in refrigerated vaults, sanitized by gas chambers, and secured within bombproof caverns deep under mountains are America's most prized materials: the ever-expanding collection of records that now accompany each of us from birth to death. This data complex backs up and protects our most vital information against decay and destruction, and yet it binds us to corporate and government institutions whose power is also preserved in its bunkers, infrastructures, and sterilized spaces.
We the Dead traces the emergence of the data complex in the early twentieth century and guides readers through its expansion in a series of moments when Americans thought they were living just before the end of the world. Depression-era eugenicists feared racial contamination and the downfall of the white American family, while contemporary technologists sought seek ever more durable and denser materials for storing data, from microetched metal discs to cryptocurrency keys written encoded in synthetic DNA. Artfully written and packed with provocative ideas, this haunting book illuminates the dark places of the data complex and the ways it increasingly blurs the lines between human and machine, biological body and data body, life and digital afterlife.
“We the Dead is the rare book that opens new lines of investigation while also entertaining and provoking the reader. Some of the historical case studies that Brian Murphy unearthed (gas chambers for rare books! durable metal film strips! atomic bomb–tested filing cabinets!) were so outrageous and profound that I found myself laughing out loud while reading. It was a shock of recognition. . . . We are already the dead of the book’s title, whether we like it or not.”
—Brian Hochman, author of The Listeners: A History of Wiretapping in the United States
“Well written, thoughtful, and provocative. We the Dead is intellectually engaging and fascinating—I can honestly think of very few books like it.”
—Tung-Hui Hu, author of A Prehistory of the Cloud
“Gas and glass, capsules and crypts, microfilm and mines and monuments: these are among the tools we’ve deployed to protect our data from a host of threats—from dust and vermin to demographic diversification and nuclear war. In We the Dead, Brian Michael Murphy takes us on a simultaneously breathtaking and explosive tour of the various archives and databases that hold our records, and the human subjects they document, in suspension between life and death.”—Shannon Mattern, author of Code and Clay, Data and Dirt: Five Thousand Years of Urban Media
Other Works
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"The Bettmann Morgue: Cold Storage, Digitization, and Archives of Racial Violence," in Conservation and the Making of Art History (Clark Studies in the Visual Arts/Yale University Press)
2022
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"Panic at the Library" (excerpt from We the Dead), Lapham's Quarterly
2022
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"Data Storage is Reaching the Limits of Physics" (excerpt from We the Dead), Wall Street Journal
2022
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"Now Playing," a short story published as liner notes for Spectacular Diagnostics' album Ancient Methods (Amsterdam: Rucksack Records)
2021
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"The Future of Boys," Fairy Tale Review
2020
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“Downtime” and “Dead, for the Second Time,” JuxtaProse
2019
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"Of Weapons," Mississippi Review
2019
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"The Memory of Teeth," Kenyon Review
2018
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"Plaster of Paris," Narrative Magazine (*Poem of the Week)
2018
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"Love, A Hungry Gun," Waxwing
2017
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"Charlottesville Fabulous," Kenyon Review Blog
2017
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"L'immagine digitale nel bunker," Ácoma (Italian translation of "Bomb-proofing the Digital Image")
2016
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"Retirement for Ghosts," Kweli Journal
2016
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"Bomb-proofing the Digital Image: An Archaeology of Media Preservation Infrastructure," Media-N
2014
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"Metal Film," Lines and Nodes: Media, Infrastructure, and Aesthetics Zine
2014
Awards and Recognition
- Fulbright Scholarship, University of Naples "L'Orientale," Fall 2021
- National Endowment for the Humanities Summer Stipend, 2020
- Finalist, Poetry Society of America Chapbook Fellowship, 2019
- AWP Writer to Writer Program, 2019, Mentor: Dawn Raffel
- Nominee, Best New Poets Anthology, 2019 (for "Of Weapons")
- Vermont Arts Council Creation Grant, 2018
- Presidential Fellowship, The Ohio State University, 2013-14
Press and Media Mentions
- “When Is This?”: Brian Michael Murphy on Media Archaeology and Preservation. In the Foreground: Conversations on Art & Writing Podcast Interview with Caitlin Woolsey, The Clark Art Institute, March 2021
- "Murphy Receives NEH Summer Stipend," Bennington College News, May 2020
- “Forum explores the state of journalism,” Bennington Banner, November 18, 2018.
- The KR Conversations Interview, Kenyon Review Online, September 2018
- “Cardi B Breaks 19 Year-Old Billboard Music Record,” News Interview by Eva McKend, WCAX-TV, South Burlington, VT, October 2017
- “Ideas Take Center Stage at ArtsRiot This Fall” by Sadie Williams, Seven Days, November 17, 2016