Donna Gaines has written for Rolling Stone, MS, the Village Voice, Spin, Newsday and Salon. Her work has been published in underground fanzines, numerous trade and scholarly collections, professional journals and textbooks. Subjects have included music, tattoos, youth, guns, pornography, TV talk shows, suburbia, spirituality, gender culture, technology and inter-generational love.Her photographs, paintings, liner notes, lyrics and poetry have been published or shown as well. A sociologist, journalist and New York State Master Licensed Social Worker, Dr. Gaines grew up in Rockaway Beach, Queens, a surf town made famous by the Ramones.
Gaines has a Ph.D. in Sociology, and a Masters degree in Social Work. An international expert on youth violence and culture, Dr. Gaines has been interviewed extensively in newspapers, for documentaries, on radio and television. She has provided consulting services to attorneys defending young people in death penalty trials, to community leaders, school administrators, clergy, to producers and reporters in the print and broadcast media in the United States, Canada and Europe. A dynamic and popular public speaker, lecturer and workshop facilitator, Gaines has taught sociology at Barnard College of Columbia University and the Graduate Faculty of New School University. Since 2013 Gaines has mentored students in social science, youth, and music studies at SUNY Empire State College. In 2017 the College awarded Dr. Gaines the Altes Prize for Exceptional Community Service. In 2019 she was named as one of the ”Women in the Arts” honorees by the Board of Directors of Artists in Partnership, Inc. “In recognition of your creative contributions to our community." An art school dropout, in 2013 Donna Gaines began painting again after a forty year break, because it's never too late to catch another wave.
Her first book, Teenage Wasteland: Suburbia's Dead End Kids was published by Pantheon Books in 1991. Rolling Stone declared Teenage Wasteland "the best book on youth culture." In 1996, the Pacific Journal of Sociology described it as "a classic in sociology." In 2001 Newsday dubbed it a "cult classic." Acclaimed by scholars as "a new way to do sociology" Gaines' second book, A Misfit’s Manifesto: The Sociological Memoir of a Rock & Roll Heart was published by Rutgers University Press in 2007. Published in hardcover by Random House in 2003, the memoir remains an underground favorite among alienated young people and diehard music fans alike. Her third book, Why The Ramones Matter, published in 2018 by University of Texas Press is part eulogy, part encomium, part love letter, celebrating the musical, cultural, political, personal and socio-historical impact of the mighty Ramones.
Why The Ramones Matter
Part of University of Texas’s new Music Matters series, inspired by Pete Hamill’s bestseller about Sinatra, Why The Ramones Matter is part encomium, part music criticism, and part memoir. Gaines argues that the seminal punk band matters historically, culturally, spiritually, musically and personally.
Awards and Recognition
- Levenstein Fellowship in Research 1976-7, Adelphi University Altes Prize for Exceptional Community Service, Empire State University, SUNY 2017-18 Women in the Arts Award, Artists in Partnership, Long Beach NY, 2019