About
Jessica Marie Johnson is an Associate Professor in the Department of History at the Johns Hopkins University and a former fellow at the Hutchins Center for African and African American Studies at Harvard University. Johnson is a historian of Atlantic slavery and the Atlantic African diaspora. She is the author of Wicked Flesh: Black Women, Intimacy, and Freedom in the Atlantic World (University of Pennsylvania Press, August 2020), winner of the 2021 Lora Romero First Book Publication Prize of the American Studies Association, the 2021 Wesley-Logan Prize form the American Historical Association, the 2021 Rosalyn Terborg-Penn Prize for Outstanding Original Scholarship on Gender and Sexuality in the African Diaspora from the Association for the Study of the Worldwide African Diaspora, the 2021 Frank L. and Harriet C. Owsley Award for Best Book in Southern History from the Southern Historical Association, the 2020 Kemper and Leila Williams Prize for Louisiana History, the 2020 Berkshire Conference of Women Historians First Book Prize, the 2020 Rebel Women Lit Caribbean Readers' Award for Best Non-Fiction Book, an Honorable Mention for the 2021 Pauli Murray Book Award from the African American Intellectual History Society, and a finalist for the Frederick Douglass Book Prize from the Gilder-Lehrman Institute.
Johnson is an internationally recognized digital humanist. Johnson is the Director of LifexCode: Digital Humanities Against Enclosure (lifexcode.org) and Senior Research Associate in the Center for the Digital Humanities at Johns Hopkins University. Johnson is PI of Black Beyond Data, a Black studies computational and social sciences lab, with co-PIs Kim Gallon, Alex Gil, Nadejda Webb, and Alexandre White. Alongside Dr. Yomaira C. Figueroa, Johnson also co-organizes the Diaspora Solidarities Lab, a Mellon-funded multi-university initiative applying Black feminist methodologies to collaborative scholarship. Johnson's essay, "Markup Bodies: Black [Life] Studies and Slavery [Death] Studies at the Digital Crossroads" is widely recognized as a ground-breaking intervention in the fields of Black studies, digital humanities and data science. Johnson is co-editor with Lauren Tilton and David Mimno of Debates in the Digital Humanities: Computational Humanities. She is guest editor of Slavery in the Machine, a special issue of archipelagos journal (2019) and co-editor with Dr. Mark Anthony Neal (Duke University) of Black Code: A Special Issue of the Black Scholar (2017).
Her work has appeared in Slavery & Abolition,The Black Scholar, Meridians: Feminism, Race and Transnationalism, American Quarterly, Social Text, The Journal of African American History, the William & Mary Quarterly, Debates in the Digital Humanities, Forum Journal, Bitch Magazine, Black Perspectives (AAIHS), Somatosphere and Post-Colonial Digital Humanities (DHPoco) and her book chapters have appeared in multiple edited collections.
Featured Work
Wicked Flesh: Black Women, Intimacy, and Freedom in the Atlantic World
The story of freedom and all of its ambiguities begins with intimate acts steeped in power. It is shaped by the peculiar oppressions faced by African women and women of African descent. And it pivots on the self-conscious choices black women made to retain control over their bodies and selves, their loved ones, and their futures. Slavery's rise in the Americas was institutional, carnal, and reproductive. The intimacy of bondage whet the appetites of slaveowners, traders, and colonial officials with fantasies of domination that trickled into every social relationship—husband and wife, sovereign and subject, master and laborer. Intimacy—corporeal, carnal, quotidian—tied slaves to slaveowners, women of African descent and their children to European and African men. In Wicked Flesh, Jessica Marie Johnson explores the nature of these complicated intimate and kinship ties and how they were used by black women to construct freedom in the Atlantic world.
Johnson draws on archival documents scattered in institutions across three continents, written in multiple languages and largely from the perspective of colonial officials and slave-owning men, to recreate black women's experiences from coastal Senegal to French Saint-Domingue to Spanish Cuba to the swampy outposts of the Gulf Coast. Centering New Orleans as the quintessential site for investigating black women's practices of freedom in the Atlantic world, Wicked Flesh argues that African women and women of African descent endowed free status with meaning through active, aggressive, and sometimes unsuccessful intimate and kinship practices. Their stories, in both their successes and their failures, outline a practice of freedom that laid the groundwork for the emancipation struggles of the nineteenth century and reshaped the New World.
Other Works
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Computational Humanities
2024
