About
Rebecca Rossen is Associate Professor in the Performance as Public Practice Program at the University of Texas at Austin, and affiliate faculty in Jewish studies, gender studies, and American studies. Her first book, Dancing Jewish: Jewish Identity in American Modern and Postmodern Dance (Oxford University Press, 2014) is the winner of the Oscar G. Brockett Prize in Dance Studies. She has published articles in numerous anthologies, as well as in Feminist Studies, TDR: The Drama Review, and Theatre Journal. Her current book project examines representations of the Holocaust, memory, and transgenerational trauma in contemporary dance. This research is supported by a Fellowship from the National Endowment of the Humanities and a Rapoport Fellowship from UT’s Schusterman Center in Jewish Studies.
Featured Work
Dancing Jewish: Jewish Identity in American Modern and Postmodern Dance
While Jews are commonly referred to as the "people of the book," American Jewish choreographers have consistently turned to dance as a means to articulate personal and collective identities; tangle with stereotypes; advance social and political agendas; and imagine new possibilities for themselves as individuals, artists, and Jews. Dancing Jewish delineates this rich history, demonstrating that Jewish choreographers have not only been vital contributors to American modern and postmodern dance, but that they have also played a critical and unacknowledged role in the history of Jews in the United States.
A dancer and choreographer, as well as an historian, author Rebecca Rossen offers evocative analyses of dances while asserting the importance of embodied methodologies to academic research. Featuring over fifty images, a companion website, and key works from 1930 to 2005 by a wide range of artists - including David Dorfman, Dan Froot, David Gordon, Hadassah, Margaret Jenkins, Pauline Koner, Dvora Lapson, Liz Lerman, Sophie Maslow, Anna Sokolow, and Benjamin Zemach - Dancing Jewish offers a comprehensive framework for interpreting performance and establishes dance as a crucial site in which American Jews have grappled with cultural belonging, personal and collective histories, and the values that bind and pull them apart.
