About
Diana Arterian is the author of the forthcoming poetry collection Agrippina the Younger (Northwestern University Press/Curbstone, 2025). Her first book, Playing Monster :: Seiche, received a starred review in Publishers Weekly and was a Poetry Foundation Staff Pick. Also forthcoming is Smoke Drifts, her co-translation of Nadia Anjuman’s poetry done with Marina Omar (World Poetry Books, 2025). Diana has penned two chapbooks, With Lightness & Darkness and Other Brief Pieces (Essay Press) and Death Centos (Ugly Duckling Presse), and co-edited the anthology Among Margins: Critical & Lyrical Writing on Aesthetics (Ricochet).
A Poetry Editor at Noemi Press and twice-finalist for the National Poetry Series, Diana’s creative work has been recognized with fellowships from the Banff Centre, Caldera, Millay Arts, Vermont Studio Center, and Yaddo. Her poetry, nonfiction, criticism, co-translations, and conversations have been featured in BOMB, Brooklyn Rail, Georgia Review, Los Angeles Review of Books, NPR, The New York Times Book Review, and The Poetry Foundation website, among others. She curates and writes “The Annotated Nightstand” column at LitHub.
Diana holds a PhD in Literature & Creative Writing from the University of Southern California, an MFA in Poetry from CalArts, and has held teaching positions at CalArts, Fordham, Merrimack, and Wichita State. She lives in Los Angeles.
Featured Work
Agrippina the Younger: Poems
She was a beloved eldest daughter in a golden political family, destined for greatness. She gave birth to a future emperor but hungered for more power than women are allowed—so she poisoned her husbands and exiled her enemies. The chronicles say that through sex, murder, and manipulation, Agrippina became Empress of Rome and used men as prosthetics to rule one of the largest empires in history. Exhausted by the misogyny of today, Arterian reaches into the past to try to understand how we got here. This manuscript was a finalist for the Tupelo Press Dorset Prize, and received an Honorable Mention from Claudia Rankine for the AWP Donald Hall Prize.